Joy is time's material, and the essence of the instant.

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	<title>Joy is time's material, and the essence of the instant.</title>
	<link>https://joys.gallery</link>
	<description>Joy is time's material, and the essence of the instant.</description>
	<pubDate>Mon, 04 May 2026 17:31:02 +0000</pubDate>
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		<title>(P)ATIENCE</title>
				
		<link>https://joys.gallery/P-ATIENCE</link>

		<pubDate>Mon, 30 Jun 2025 13:43:45 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

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	(P)ATIENCE: Nicole Ji Soo Kim &#38;amp; Surabhi GhoshMay 24-June 21, 2025


 Exhibition Text
 

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	Nicole Ji Soo Kim is an interdisciplinary artist based in Toronto, Canada working through conceptual frameworks of grief, loss and their inevitable connections to time, presence and meaning. Her art education began at School of the Arts Institute of Chicago, before completing her BFA at Ontario College of Art and Design University in 2020. Kim’s first solo exhibition was presented at Franz Kaka (Toronto, CA). She has recently exhibited at Hawkins Headquarters (Atlanta, GA) Tala, Weatherproof (Chicago, IL), New York Art Residency and Studios Foundation (New York, US), Zalucky Contemporary, and the plumb (Toronto, CA). She has participated in the Roundtable Residency (Toronto, CA) and NARS Foundation International Residency (Brooklyn, US). She received a certificate of completion of the Grief Education program through OISE Continuing and Professional Learning at the University of Toronto.


	Surabhi Ghosh is an artist and educator based in Montreal. She exploits the tensions and imperfections in handmade patterns to give material and spatial form to narratives of pride and shame. Her visual strategies for prompting active viewership involve inverting the central and the peripheral, interrupting architectural edges, and disrupting the functionality and familiarity of everyday materials. Mapping points of intersection between abstraction, minimalism, and ornamentation, Ghosh speculates on ways to “trouble” these and other(ed) entwined histories. Her discursive position is developed using unruly textiles, repetitive processes, and site-responsive installations.
Recent solo exhibitions have been at Patel Brown Gallery (Montreal), Maison des arts de Laval, Confederation Centre Art Gallery (Charlottetown), and Hawthor Contemporary (Milwaukee, WI). Recent duo and group exhibitions include projects at Susan Hobbs Gallery (Toronto), Musée d’art contemporain de Montréal, Gund Gallery (Gambier, OH), and Stewart Hall Art Gallery (Pointe-Claire, QC). Ghosh is Associate Professor of Fibres &#38;amp; Material Practices at Concordia University and is currently the Chair of the Department of Studio Arts in the Faculty of Fine Arts.
 
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		<title>Patience: Landing Page</title>
				
		<link>https://joys.gallery/Patience-Landing-Page</link>

		<pubDate>Tue, 10 Jun 2025 14:09:30 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/Patience-Landing-Page</guid>

		<description>
&#60;img width="5738" height="3825" width_o="5738" height_o="3825" data-src="https://freight.cargo.site/t/original/i/f657ac1b1c4e4bea77ef43d213dfef76fe3d87bcde0a1ca510bb281e343071b4/Patience_1-36-edited.jpg" data-mid="247824401" border="0"  src="https://freight.cargo.site/w/1000/i/f657ac1b1c4e4bea77ef43d213dfef76fe3d87bcde0a1ca510bb281e343071b4/Patience_1-36-edited.jpg" /&#62;
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&#60;img width="5622" height="3748" width_o="5622" height_o="3748" data-src="https://freight.cargo.site/t/original/i/464abae935d591bdf82816e264ba2676ebc23948573248eb8d172e3ab8400cc3/Patience_3_Hi-Res-38_edited.jpg" data-mid="247852152" border="0"  src="https://freight.cargo.site/w/1000/i/464abae935d591bdf82816e264ba2676ebc23948573248eb8d172e3ab8400cc3/Patience_3_Hi-Res-38_edited.jpg" /&#62;

	Patience&#38;nbsp;May 24 - October 25, 2025


Artists:

Alan Belcher 
Parick Cruz 
Surabhi Ghosh
Nicole Ji Soo Kim
Ben Kinmont
Steffani Jemison
Eunice Luk
Christian Vistan
and more

	
Virtue, faith, suspense, forbearance, boredom—the vast quiet that amounts to perseverance. Patience is an exhibition in dialogue with the many inflections of time’s protracted passing. We perceive time differently depending on our circumstances, emotions, and bodies. Whether we are confronted with distraction, disorder, disease or despair, the moments where patience feels impossible are often, stubbornly, the times it would be the most soothing.Joys’ programming for 2025 was enveloped by Patience, a 5-month exhibition between May and October. Further installations, artist projects, events, and texts to came as time unfurled.


&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/6bbff44fc864995a2ba74877aef3e2c5ad5257c4a59e9188c73a8999cc753028/Patience_1-7.jpg" data-mid="247824172" border="0"  src="https://freight.cargo.site/w/1000/i/6bbff44fc864995a2ba74877aef3e2c5ad5257c4a59e9188c73a8999cc753028/Patience_1-7.jpg" /&#62;(P): Surabhi Ghosh &#38;amp; Nicole Ji-Soo Kim


&#60;img width="5789" height="3859" width_o="5789" height_o="3859" data-src="https://freight.cargo.site/t/original/i/82de673a062d732ca624e95613f8c031079ff2a57770c34bd312b71bfc91caab/Patience_4_Web-Sized_Horizontal-Edited-8.jpg" data-mid="247824168" border="0"  src="https://freight.cargo.site/w/1000/i/82de673a062d732ca624e95613f8c031079ff2a57770c34bd312b71bfc91caab/Patience_4_Web-Sized_Horizontal-Edited-8.jpg" /&#62;(I): Patrick Cruz, Steffani Jemison, Ensemble (after Ben Kinmont)


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(E): Christian Vistan &#38;amp; Surabhi Ghosh
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(A):&#38;nbsp;Nicole Ji Soo Kim &#38;amp; Eunice Luk


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(E):&#38;nbsp;Alan Belcher, Steffani Jemison, Ensemble (after Ben Kinmont)
	
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/eb963da2c997a8db26ddb60778fcfde79f472af1b2cb5fe488f5ca48c2213d57/Patience_3_Web-Sized-1.jpg" data-mid="247824169" border="0"  src="https://freight.cargo.site/w/1000/i/eb963da2c997a8db26ddb60778fcfde79f472af1b2cb5fe488f5ca48c2213d57/Patience_3_Web-Sized-1.jpg" /&#62;
(T):&#38;nbsp;Patrick Cruz, Eunice Luk, Ensemble (after Ben Kinmont)


&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/826d7436f0f1bdd5f324176235c0845a91ada812254a97a2b5d4cdd009fbad34/Patience_6_Web-Sized-28.jpg" data-mid="247824267" border="0"  src="https://freight.cargo.site/w/1000/i/826d7436f0f1bdd5f324176235c0845a91ada812254a97a2b5d4cdd009fbad34/Patience_6_Web-Sized-28.jpg" /&#62;
(N-C):&#38;nbsp;Christian Vistan, Kiyoshi Whitley &#38;amp; Alan Belcher
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		<title>P(A)TIENCE</title>
				
		<link>https://joys.gallery/P-A-TIENCE</link>

		<pubDate>Sun, 03 May 2026 20:48:43 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/P-A-TIENCE</guid>

		<description>
	
	
	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4e886c1f4d6d299adfdfe542cdd1fb39bcf5705204e39571d4ae531c8ef414c3/Patience_2-Web-Sized-43.jpg" data-mid="247826231" border="0"  src="https://freight.cargo.site/w/1000/i/4e886c1f4d6d299adfdfe542cdd1fb39bcf5705204e39571d4ae531c8ef414c3/Patience_2-Web-Sized-43.jpg" /&#62;

	P(A)TIENCE: Nicole Ji Soo Kim &#38;amp; Eunice LukJune 28 - July 19, 2025


 Exhibition Text
 

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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4e886c1f4d6d299adfdfe542cdd1fb39bcf5705204e39571d4ae531c8ef414c3/Patience_2-Web-Sized-43.jpg" data-mid="247826231" border="0"  src="https://freight.cargo.site/w/1000/i/4e886c1f4d6d299adfdfe542cdd1fb39bcf5705204e39571d4ae531c8ef414c3/Patience_2-Web-Sized-43.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/bb2410a9a82da32db83d83e04919eb6ba34f72b2f316876b3e5299205bca9924/Patience_2-Web-Sized-52.jpg" data-mid="247826228" border="0"  src="https://freight.cargo.site/w/1000/i/bb2410a9a82da32db83d83e04919eb6ba34f72b2f316876b3e5299205bca9924/Patience_2-Web-Sized-52.jpg" /&#62;


	Nicole Ji Soo Kim is an interdisciplinary artist based in Toronto, Canada working through conceptual frameworks of grief, loss and their inevitable connections to time, presence and meaning. Her art education began at School of the Arts Institute of Chicago, before completing her BFA at Ontario College of Art and Design University in 2020. Kim’s first solo exhibition was presented at Franz Kaka (Toronto, CA). She has recently exhibited at Hawkins Headquarters (Atlanta, GA) Tala, Weatherproof (Chicago, IL), New York Art Residency and Studios Foundation (New York, US), Zalucky Contemporary, and the plumb (Toronto, CA). She has participated in the Roundtable Residency (Toronto, CA) and NARS Foundation International Residency (Brooklyn, US). She received a certificate of completion of the Grief Education program through OISE Continuing and Professional Learning at the University of Toronto.


	Eunice Luk is an artist and artist-publisher based in Tkaronto/Toronto. Through sculpture, installations, an multiples, Eunice creates poetic experiences that situate viewers in their responsibilities and sense of belongin within the broader context of our ecological system. Eunice has participated in exhibitions internationally and nationally - including at YYZ Artists’ Outlet (Toronto, ON), Susan Hobbs Gallery (Toronto, ON) Junbicyu (Tokyo, Japan), LVL3 (Chicago, IL), Critical Distance (Toronto, ON), Kamloops Art Gallery (Kamloops, BC), Walter Philips Gallery at the Banff Centre, and The Prince Takamado Gallery at th Embassy of Canada (Tokyo, Japan).
 
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	<item>
		<title>PA(T)IENCE</title>
				
		<link>https://joys.gallery/PA-T-IENCE</link>

		<pubDate>Mon, 04 May 2026 03:29:41 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/PA-T-IENCE</guid>

		<description>
	
	
	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c6711cae3eecdcb79f0a3c425dec208f665b6f72a10d49225d1a7907b52cda0b/Patience_3_Web-Sized-1.jpg" data-mid="247852207" border="0"  src="https://freight.cargo.site/w/1000/i/c6711cae3eecdcb79f0a3c425dec208f665b6f72a10d49225d1a7907b52cda0b/Patience_3_Web-Sized-1.jpg" /&#62;


	PA(T)IENCE: Patrick Cruz, Eunice Luk, Ensemble (after Ben Kinmont)July 19 - August 23, 2025


 Exhibition Text
 

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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/93372cb63771db0a8c4321ee3a4bf992e2a01ac980a4c3119f5442874fa9f234/Patience_3_Web-Sized-11.jpg" data-mid="247852214" border="0"  src="https://freight.cargo.site/w/1000/i/93372cb63771db0a8c4321ee3a4bf992e2a01ac980a4c3119f5442874fa9f234/Patience_3_Web-Sized-11.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/dbb2a5dededf2212c9a24721f8b8e995ff5efa0436aa012598e0d2c66203dd4a/Patience_3_Web-Sized-19.jpg" data-mid="247852216" border="0"  src="https://freight.cargo.site/w/1000/i/dbb2a5dededf2212c9a24721f8b8e995ff5efa0436aa012598e0d2c66203dd4a/Patience_3_Web-Sized-19.jpg" /&#62;


	Patrick Cruz is an artist, educator, and albularyo who considers the role of spirituality, improvisation, intuition and play as emancipatory tools to reify embedded colonial frameworks and ideologies in art making. Cruz employs healing, meditation, divination, exorcism and hypnosis as research methodologies to exhume and retrieve hidden knowledge. His works are informed by the intersections of clown philosophy, magic, and the occult, and their syncretic manifestations and relationship in contemporary life. Most recently, Cruz has been
making works using material retrieved from past-life regressions to navigate and side-step cultural and ancestral identity.

In 2021, he received the prestigious Thirteen Artist Award from the Cultural Center of the Philippines and won the national title for the 17th RBC Canadian Painting Competition in 2015. He is an Assistant Professor in Studio Art at the University of Toronto Scarborough and Daniels Campuses. He is the founder and co-directo of the Kamias Triennial, co-curator of Ben Flores Fan Club Collective with Christian Vistan, collaborator at Boring Earth with Laila Fox, and one of the 19 members of the artist-run collective the Plumb.

Ben Kinmont is an artist, publisher, and antiquarian bookseller whose work explores alternative systems of exchange, archival methodologies, and social sculpture. His project-based practice often involves publishing and distributing materials outside traditional art world channels to create more direct connections with audiences. Kinmont started his Antinomian Press in 1995 as an alternative to the commercial gallery system and as a means to distribute the free books and ephemera crucial to project-based artwork.


	Eunice Luk is an artist and artist-publisher based in Tkaronto/Toronto. Through sculpture, installations, an multiples, Eunice creates poetic experiences that situate viewers in their responsibilities and sense of belongin within the broader context of our ecological system. Eunice has participated in exhibitions internationally and nationally - including at YYZ Artists’ Outlet (Toronto, ON), Susan Hobbs Gallery (Toronto, ON) Junbicyu (Tokyo, Japan), LVL3 (Chicago, IL), Critical Distance (Toronto, ON), Kamloops Art Gallery (Kamloops, BC), Walter Philips Gallery at the Banff Centre, and The Prince Takamado Gallery at th Embassy of Canada (Tokyo, Japan).
 
</description>
		
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	<item>
		<title>PAT(I)ENCE</title>
				
		<link>https://joys.gallery/PAT-I-ENCE</link>

		<pubDate>Mon, 04 May 2026 16:42:26 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/PAT-I-ENCE</guid>

		<description>
	
	
	&#60;img width="5789" height="3859" width_o="5789" height_o="3859" data-src="https://freight.cargo.site/t/original/i/0a1c2ed6e360b31308d1900ab5a2646ddcf45a25119428f0be38f1b84dc59d98/Patience_4_Web-Sized_Horizontal-Edited-8.jpg" data-mid="247853688" border="0"  src="https://freight.cargo.site/w/1000/i/0a1c2ed6e360b31308d1900ab5a2646ddcf45a25119428f0be38f1b84dc59d98/Patience_4_Web-Sized_Horizontal-Edited-8.jpg" /&#62;


	PAT(I)ENCE: Patrick Cruz, Steffani Jemison, Ensemble (after Ben Kinmont)August 23rd - September 6, 2025

 Exhibition Text
 

&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/8cedb5e6ba090c1c2feb7cf965e93ed90261cfdfc25f96f5b8dac77472e4b23b/Patience_3_Web-Sized-24.jpg" data-mid="247853612" border="0"  src="https://freight.cargo.site/w/1000/i/8cedb5e6ba090c1c2feb7cf965e93ed90261cfdfc25f96f5b8dac77472e4b23b/Patience_3_Web-Sized-24.jpg" /&#62;
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	Patrick Cruz is an artist, educator, and albularyo who considers the role of spirituality, improvisation, intuition and play as emancipatory tools to reify embedded colonial frameworks and ideologies in art making. Cruz employs healing, meditation, divination, exorcism and hypnosis as research methodologies to exhume and retrieve hidden knowledge. His works are informed by the intersections of clown philosophy, magic, and the occult, and their syncretic manifestations and relationship in contemporary life. Most recently, Cruz has been
making works using material retrieved from past-life regressions to navigate and side-step cultural and ancestral identity.

In 2021, he received the prestigious Thirteen Artist Award from the Cultural Center of the Philippines and won the national title for the 17th RBC Canadian Painting Competition in 2015. He is an Assistant Professor in Studio Art at the University of Toronto Scarborough and Daniels Campuses. He is the founder and co-directo of the Kamias Triennial, co-curator of Ben Flores Fan Club Collective with Christian Vistan, collaborator at Boring Earth with Laila Fox, and one of the 19 members of the artist-run collective the Plumb.

Ben Kinmont is an artist, publisher, and antiquarian bookseller whose work explores alternative systems of exchange, archival methodologies, and social sculpture. His project-based practice often involves publishing and distributing materials outside traditional art world channels to create more direct connections with audiences. Kinmont started his Antinomian Press in 1995 as an alternative to the commercial gallery system and as a means to distribute the free books and ephemera crucial to project-based artwork.


	Steffani Jemison (b. 1981) lives and works in New York. Solo exhibitions, screenings, and performances include Wadsworth Atheneum Museum of Art, Hartford (2025); Galeria Madragoa, Lisbon (2025; 2021); Centre d’Art Contemporain Genève (2024); Greene Naftali, New York (2024, 2021); JOAN, Los Angeles (2022); Annet
Gelink Gallery, Amsterdam (2022, 2020); Contemporary Art Center, Cincinnati (2021); Kai Matsumiya, New York (2019); Stedelijk Museum, Amsterdam (2019); Lincoln Center, New York (2018); Jeu de Paume, Paris (2017); CAPC Bordeaux (2017). Notable group exhibitions include Flight into Egypt: Black Artists and Ancient
Egypt, 1876–Now, The Metropolitan Museum of Art, New York (2024-25); Counterpublic, St. Louis (2023); ; Greater New York, MoMA PS1, Long Island City, New York (2021); Black Refractions: Highlights from The Studio Museum in Harlem, organized by The Studio Museum in Harlem and The American Federation for Arts (travelled 2019–21); Whitney Biennial, Whitney Museum of American Art, New York (2019).

Jemison is Associate Professor of Art &#38;amp; Design at Rutgers University; her first novel, A Rock, A River, A Street, was published by Primary Information in 2022.
 
</description>
		
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	<item>
		<title>PATI(E)NCE</title>
				
		<link>https://joys.gallery/PATI-E-NCE</link>

		<pubDate>Mon, 04 May 2026 17:01:50 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/PATI-E-NCE</guid>

		<description>
	
	
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	PAT(I)ENCE: Alan Belcher, Steffani Jemison, Ensemble (after Ben Kinmont)September 6 - October 1, 2025


 Exhibition Text
 

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	Alan Belcher
is a Toronto based visual artist whose conceptual work is decidedly multi-layered
and object orientated. He has been recognized in the past as an originator of a tactile fusion of photography
and object-making. A transparency of vision and simplicity of fabrication with a concentrated regard for
materials remain hallmarks of his serial productions. Belcher is known for a directness and a sharp simplicity
when approaching difficult subject matter. A sense of humour and a reverence for a Pop sensibility, as well as a
hands-on approach, invade much of his work. A self-taught artist, he was co-founder and co-director of Gallery
Nature Morte with artist Peter Nagy in New York’s East Village (1982–88). Works by Belcher are held in
various public collections which include the National Gallery of Canada (Ottawa), Centre Georges Pompidou
(Paris), Art Gallery of Ontario (Toronto), Le Consortium (Dijon), Musee des Beaux-Arts (Montréal), Deste
Foundation (Athens), Fotomuseum Winterthur (Zurich), Walker Art Center (Minneapolis), MoCA San Diego,
Morris &#38;amp; Helen Belkin Art Gallery at UBC (Vancouver), and Musée Nicéphore Niépce (Chalon-sur-Saône,
France) —as well as numerous private collections.
Alan Belcher works with, and is represented by: Tara Downs in New York City, greengrassi in London U.K.,
Hunt Gallery in Toronto, and Galerie Eli Kerr in Montréal.

	Steffani Jemison (b. 1981) lives and works in New York. Solo exhibitions, screenings, and performances include Wadsworth Atheneum Museum of Art, Hartford (2025); Galeria Madragoa, Lisbon (2025; 2021); Centre d’Art Contemporain Genève (2024); Greene Naftali, New York (2024, 2021); JOAN, Los Angeles (2022); Annet
Gelink Gallery, Amsterdam (2022, 2020); Contemporary Art Center, Cincinnati (2021); Kai Matsumiya, New York (2019); Stedelijk Museum, Amsterdam (2019); Lincoln Center, New York (2018); Jeu de Paume, Paris (2017); CAPC Bordeaux (2017). Notable group exhibitions include Flight into Egypt: Black Artists and Ancient
Egypt, 1876–Now, The Metropolitan Museum of Art, New York (2024-25); Counterpublic, St. Louis (2023); ; Greater New York, MoMA PS1, Long Island City, New York (2021); Black Refractions: Highlights from The Studio Museum in Harlem, organized by The Studio Museum in Harlem and The American Federation for Arts (travelled 2019–21); Whitney Biennial, Whitney Museum of American Art, New York (2019).

Jemison is Associate Professor of Art &#38;amp; Design at Rutgers University; her first novel, A Rock, A River, A Street, was published by Primary Information in 2022.
 
</description>
		
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	<item>
		<title>PATIE(NC)E</title>
				
		<link>https://joys.gallery/PATIE-NC-E</link>

		<pubDate>Mon, 04 May 2026 17:12:13 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/PATIE-NC-E</guid>

		<description>
	
	
	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/91680fbfc5ce4c0440cf331ecb56652db072012377589093683c3bfba5e5f7f0/Patience-Round-6_Updated-53.jpg" data-mid="248011627" border="0"  src="https://freight.cargo.site/w/1000/i/91680fbfc5ce4c0440cf331ecb56652db072012377589093683c3bfba5e5f7f0/Patience-Round-6_Updated-53.jpg" /&#62;


	PATIE(NC)E: Christian Vistan, Kiyoshi Whitley &#38;amp; Alan BelcherOctober 1 - 11, 2025


 Exhibition Text
 

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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/f07d3e49c5bb6ba09f7c230ac17edf1a9e7a84697969159d33b814079b4603f6/Patience-Round-6_Updated-71.jpg" data-mid="248011611" border="0"  src="https://freight.cargo.site/w/1000/i/f07d3e49c5bb6ba09f7c230ac17edf1a9e7a84697969159d33b814079b4603f6/Patience-Round-6_Updated-71.jpg" /&#62;


	Alan Belcher
is a Toronto based visual artist whose conceptual work is decidedly multi-layered
and object orientated. He has been recognized in the past as an originator of a tactile fusion of photography
and object-making. A transparency of vision and simplicity of fabrication with a concentrated regard for
materials remain hallmarks of his serial productions. Belcher is known for a directness and a sharp simplicity
when approaching difficult subject matter. A sense of humour and a reverence for a Pop sensibility, as well as a
hands-on approach, invade much of his work. A self-taught artist, he was co-founder and co-director of Gallery
Nature Morte with artist Peter Nagy in New York’s East Village (1982–88). Works by Belcher are held in
various public collections which include the National Gallery of Canada (Ottawa), Centre Georges Pompidou
(Paris), Art Gallery of Ontario (Toronto), Le Consortium (Dijon), Musee des Beaux-Arts (Montréal), Deste
Foundation (Athens), Fotomuseum Winterthur (Zurich), Walker Art Center (Minneapolis), MoCA San Diego,
Morris &#38;amp; Helen Belkin Art Gallery at UBC (Vancouver), and Musée Nicéphore Niépce (Chalon-sur-Saône,
France) —as well as numerous private collections.
Alan Belcher works with, and is represented by: Tara Downs in New York City, greengrassi in London U.K.,
Hunt Gallery in Toronto, and Galerie Eli Kerr in Montréal.

	Christian Vistan
is an artist originally from Morong, Bataan, currently living on unceded Musqueam,
Squamish, and Tsleil-Waututh territories, colonially known as Vancouver, British Columbia. In their artwork
they gather materials and motifs from personal, familial, and migrant histories, and translate them into forms
that intersect, misidentify, and relate affect and language across painting, poetry, and collaboration. They often
collaborate with other artists, writers, curators, and their relatives. They are currently the 2024-2025 Fellow at
221a in Vancouver.

Kiyoshi Whitley
is an artist living and working on the Musqueam, Squamish, and Tsleil-Waututh territories,
colonially known as Vancouver, British Columbia. His practice encompasses architecture, performance,
woodworking, and writing.
</description>
		
	</item>
		
		
	<item>
		<title>PATIENC(E)</title>
				
		<link>https://joys.gallery/PATIENC-E</link>

		<pubDate>Mon, 04 May 2026 17:31:02 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/PATIENC-E</guid>

		<description>
	
	
	&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/566d59aabf4832d4efec4a72d173e9ae1915f0f83a21256028cd3d6fbe8c90ca/Patience_7_Web-Sized_Warmer-14.jpg" data-mid="248011656" border="0"  src="https://freight.cargo.site/w/1000/i/566d59aabf4832d4efec4a72d173e9ae1915f0f83a21256028cd3d6fbe8c90ca/Patience_7_Web-Sized_Warmer-14.jpg" /&#62;


	PATIE(NC)E: Christian Vistan, Kiyoshi Whitley &#38;amp; Surabhi Ghosh
October 11-25, 2025


 Exhibition Text
 

&#60;img width="1920" height="1279" width_o="1920" height_o="1279" data-src="https://freight.cargo.site/t/original/i/a983245161aec6657a2765f52d4b2f17c49da3b037b7c32a41c1c096f17df6e9/Patience_7_Web-Sized_Warmer-17.jpg" data-mid="247854688" border="0"  src="https://freight.cargo.site/w/1000/i/a983245161aec6657a2765f52d4b2f17c49da3b037b7c32a41c1c096f17df6e9/Patience_7_Web-Sized_Warmer-17.jpg" /&#62;
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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/fb90d0e54ae6fd62625962856fd3f886e14cb89276a04397039f9630e25f9ad2/Patience_7_Web-Sized_Warmer-8.jpg" data-mid="247854692" border="0"  src="https://freight.cargo.site/w/1000/i/fb90d0e54ae6fd62625962856fd3f886e14cb89276a04397039f9630e25f9ad2/Patience_7_Web-Sized_Warmer-8.jpg" /&#62;
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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4017cf6fedaded17166383528b1f827f4289834560839480cffcf6b84ae92feb/Patience_7_Web-Sized_Warmer-3.jpg" data-mid="247854695" border="0"  src="https://freight.cargo.site/w/1000/i/4017cf6fedaded17166383528b1f827f4289834560839480cffcf6b84ae92feb/Patience_7_Web-Sized_Warmer-3.jpg" /&#62;
&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9492cd048fb28b41b4018ebfc0996d1986637908069ce891079b6b34ddf5c45b/Patience_7_Web-Sized_Warmer-1.jpg" data-mid="247854696" border="0"  src="https://freight.cargo.site/w/1000/i/9492cd048fb28b41b4018ebfc0996d1986637908069ce891079b6b34ddf5c45b/Patience_7_Web-Sized_Warmer-1.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/03d604fc56c645c6f4b44e9fcc3848f602a9949cbe2d418a7591bb447b4a686e/Patience_7_Web-Sized_Warmer-6.jpg" data-mid="247854693" border="0"  src="https://freight.cargo.site/w/1000/i/03d604fc56c645c6f4b44e9fcc3848f602a9949cbe2d418a7591bb447b4a686e/Patience_7_Web-Sized_Warmer-6.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/0b923cd88fd61b0269cc45ca72f2e9d0c4861de7af40e95cd42ff06ff65b4a76/Patience_7_Web-Sized_Warmer-15.jpg" data-mid="247854689" border="0"  src="https://freight.cargo.site/w/1000/i/0b923cd88fd61b0269cc45ca72f2e9d0c4861de7af40e95cd42ff06ff65b4a76/Patience_7_Web-Sized_Warmer-15.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8f41b46410bfd7723880da71e89bfe3bb41e5d8951324172f3c3927e1bcc5abd/Patience-Round-6_Updated-57.jpg" data-mid="248011596" border="0"  src="https://freight.cargo.site/w/1000/i/8f41b46410bfd7723880da71e89bfe3bb41e5d8951324172f3c3927e1bcc5abd/Patience-Round-6_Updated-57.jpg" /&#62;
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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/6954282a1897d50527c0822b5dfa99d0e4b93523396a49616ac21725df90b995/Patience-Round-6_Updated-56.jpg" data-mid="248011595" border="0"  src="https://freight.cargo.site/w/1000/i/6954282a1897d50527c0822b5dfa99d0e4b93523396a49616ac21725df90b995/Patience-Round-6_Updated-56.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/65ad5fef60072cf810331170da3188f99fee956b89b4faaf7e442c15eaad4087/Patience-Round-6_Updated-74.jpg" data-mid="248011600" border="0"  src="https://freight.cargo.site/w/1000/i/65ad5fef60072cf810331170da3188f99fee956b89b4faaf7e442c15eaad4087/Patience-Round-6_Updated-74.jpg" /&#62;


	Surabhi Ghosh
is an artist and educator based in Montreal. She exploits the tensions
and imperfections in handmade patterns to give material and spatial form to narratives of pride and shame. Her
visual strategies for prompting active viewership involve inverting the central and the peripheral, interrupting
architectural edges, and disrupting the functionality and familiarity of everyday materials. Mapping points of
intersection between abstraction, minimalism, and ornamentation, Ghosh speculates on ways to “trouble” these
and other(ed) entwined histories. Her discursive position is developed using unruly textiles, repetitive processes,
and site-responsive installations.

	Christian Vistan
is an artist originally from Morong, Bataan, currently living on unceded Musqueam,
Squamish, and Tsleil-Waututh territories, colonially known as Vancouver, British Columbia. In their artwork
they gather materials and motifs from personal, familial, and migrant histories, and translate them into forms
that intersect, misidentify, and relate affect and language across painting, poetry, and collaboration. They often
collaborate with other artists, writers, curators, and their relatives. They are currently the 2024-2025 Fellow at
221a in Vancouver.

Kiyoshi Whitley
is an artist living and working on the Musqueam, Squamish, and Tsleil-Waututh territories,
colonially known as Vancouver, British Columbia. His practice encompasses architecture, performance,
woodworking, and writing.
</description>
		
	</item>
		
		
	<item>
		<title>Ginger Chimes</title>
				
		<link>https://joys.gallery/Ginger-Chimes</link>

		<pubDate>Thu, 02 Jan 2025 16:47:43 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/Ginger-Chimes</guid>

		<description>&#60;img width="5142" height="3428" width_o="5142" height_o="3428" data-src="https://freight.cargo.site/t/original/i/b0849bcfb425de8655f75d55c0a8ff23803bd274ef212b21e35b4e45ad02a328/IMG_4393.jpg" data-mid="224055689" border="0"  src="https://freight.cargo.site/w/1000/i/b0849bcfb425de8655f75d55c0a8ff23803bd274ef212b21e35b4e45ad02a328/IMG_4393.jpg" /&#62;
	Ginger Chimes:&#38;nbsp;Mamu MifiOctober 18 - November 8, 2024


	Everything has meaning because of the love that was there at the beginning

Melting snow trickled to form rivers, miracles, mirages

Phoenix trees, red willow, reeds bent by the river bank
Lotus ponds in morning light
Apples so sweet they stuck to the mouth

Dappled by light from another morning
another’s dream
Pearl to reflect memory
in a quiet environment
A window cocooned in silk or mist
scent as something gained when self unspools
Chain of time, its elemental shine
the basic properties of light

The centre of change is not loss
The root of you that chimes
- Lily Wang
Ginger Chimes presented a new body of work spanning sculpture, textile, metallurgy, silverwork, painting and installation. Exploring individual and shared experiences with AAPI (Asian American Pacific Islander) identity and diaspora. Akin to the rhizomatic roots of ginger, the logic of this exhibition extends horizontally, forming numerous and nebulous connections that perpetuate balanced and a spirit of interdependence. The exhibition also featured an untitled interactive work where visitors were invited to write a childhood memory or an invocation of ‘home’ on a small card and hang it from a wind chime at the gallery entrance.&#38;nbsp;

mamumifi is a multidisciplinary collective developed by two Asian-Canadian artists residing in Toronto working with a mixture of sculpture, textile, painting and mixed media. The duo is inspired by diasporic stories, specifically AAPI as a way of bridging gaps between generations of communities where cultures have been historically suppressed. Ginger Chimes is their first exhibition as a duo.
&#38;nbsp;
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Insall photos by Alison Postma, details Marisa Müsing &#38;amp; Jennifer Laflamme
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		<title>TWOSOA</title>
				
		<link>https://joys.gallery/TWOSOA</link>

		<pubDate>Fri, 11 Oct 2024 16:08:57 +0000</pubDate>

		<dc:creator>Joy is time's material, and the essence of the instant.</dc:creator>

		<guid isPermaLink="true">https://joys.gallery/TWOSOA</guid>

		<description>&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9507603147bfa7ae008e61e93704198ded1bcf8c8c24bd73cd40d168061ea6c0/WOSOA_022.jpeg" data-mid="219605225" border="0"  src="https://freight.cargo.site/w/1000/i/9507603147bfa7ae008e61e93704198ded1bcf8c8c24bd73cd40d168061ea6c0/WOSOA_022.jpeg" /&#62;
	The weather or some other accident:

Michelle Grabner, Kathleen Morris, Bronson Smillie
2-stop touring exhibition:&#38;nbsp;
Bad Water: July 12 - July 29, 2024
Joys: August 2 - 17, 2024&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9507603147bfa7ae008e61e93704198ded1bcf8c8c24bd73cd40d168061ea6c0/WOSOA_022.jpeg" data-mid="219605225" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/9507603147bfa7ae008e61e93704198ded1bcf8c8c24bd73cd40d168061ea6c0/WOSOA_022.jpeg" /&#62;
Bad Water documentation&#38;nbsp;&#60;img width="3879" height="2586" width_o="3879" height_o="2586" data-src="https://freight.cargo.site/t/original/i/74825e976c492a9d6c362bd6e851527aae92e05ebe6be276b61a7ce2ff5cecf2/DSC06733.jpg" data-mid="224024605" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/74825e976c492a9d6c362bd6e851527aae92e05ebe6be276b61a7ce2ff5cecf2/DSC06733.jpg" /&#62;
Joys documentation


Unfurling from a rare formal impulse, I’ve been hesitant to trap the idea with the butterfly net of language. So I cut a hole in the mesh right before this. Michelle, Kathleen, and Bronson, three artists with distinct ways, materials, and individual paths to Bad Water. A throughline: an interest in, and perhaps a rebellion against, systems of measure and organization. An attunement to the quotidian, utilitarian, public and private ways grids and other geometric imperatives permeate our lives. A way of asking how we might complicate that truth. I’m interested in how these artists challenge the arbitrary nature and coldness of the grid as foundation by exploring how this pattern, and others like it, are subject to our mess. Noticing the organic, social, and worn-in geometries that coat our environments, we may start to understand how, over time, these templates become us.Bronson’s new series adopts retired manual paper cutters. Responding to the weathering marks, scrapes, and slivers from their past lives as scores for collaboration, he introduces new forms composed of found objects. His abstract interventions perform a magnetic divination, conceiving new logic systems of color and form that ignite these objects from dormancy. Michelle’s Gingham paintings on burlap reflect her longstanding interest in common textile patterns that permeate visual culture. Their material matter-of-factness reminds me of the heroic linens and domestic textiles passed on through a family. Individuals with perfect patina and remarkable work ethic. Kathleen’s weaving practice incorporates the plants growing in her immediate surroundings. Introducing these unruly collaborators to the rigid structure of her loom, her hanging panels embrace their own compositional logic. A collaboration between technique and natural geometry. Between planting seeds, warping the loom, and air drying the ‘woven’ foliage, the process has multiple points of departure, working across their own temporality adorned with incremental change, craft, and pedagogy.Our exhibition title comes from “Desire and the Diagrammatic,” by Margeret Iverson. Repurposing a second-hand anecdote, the author recounts the time Gabriel Orozco came across discarded prints of Josef Albers paintings that had been damaged. Crinkled water ringlets had formed on the paper, contravening his iconic square compositions. To Orozco, the exposure to the weather or some other accident made them all the more interesting.
★★★
Bronson Smillie (b.1992, Calgary, Alberta) holds a BFA in Painting and Drawing from Concordia University and currently lives in Tiohti:áke/Montréal. He is a multidisciplinary artist whose practice involves sourcing objects and creating works with materials that no longer fulfil their purpose within late-capitalist modes of consumption. Solo presentations include Almost Begin, Afternoon Projects, Vancouver (2023), A Place for Everything, april april, Brooklyn, NY (2023), Tempo 85, Espace Maurice, Montréal&#38;nbsp; (2022), NADA New York, with april april (2022), and Forever is Closing in, MoMAPS311, Ottawa (2019). Group exhibitions include Depa Archive, Ghent, Belgium (2024); Zalucky Contemporary, Toronto, Canada (2024); Pictura Bienniale, Stewart Hall Gallery, Montreal, Canada (2023); Nicelle Beauchene Gallery, New York, NY (2023); AXENÉO7, Gatineau, Canada (2022); Petrohradská Kolektiv, Prague, Czechia (2021).Kathleen Morris is a maker and educator working in the field of textiles. Her textiles practice centers on ideas of place-making and ecophenomenology, recognizing the human body as a primary site for experiencing the world, and its fundamental interdependence with innumerable species and organisms. Through her work, Morris explores notions of inhabiting a place, and plumbing the imperceptible web that connects humans to the more than human. The slow pace with which her work unfolds strengthens this sense of reciprocity, and infuses the work with time, depth, and lived understanding. Morris holds a Bachelor of Design from OCAD University, and a Master’s degree from the University of Toronto. Morris was a faculty member in the Material Art and Design program at OCAD University from 2005-2022. Currently, she is a collaborator on a SSHRC international research project entitled Craft and the Digital Turn, as well as a past and present Board member of the Canadian Craft Federation and Craft Ontario.Michelle Grabner (b. 1962, Oshkosh, WI; lives and works in Chicago and Milwaukee) is an artist, curator, teacher and writer. Her work in painting and sculpture draws equally from a rigorous formal investigation of patterns and domestic life, and a sometimes cheeky flirtation with high modernism's affection for seriality, grids and geometries. Grabner has exhibited extensively over the past three decades, spanning solo exhibitions at galleries including James Cohan, New York; Galerie Gisela Clement, Lotharstraße; Gallery16, San Francisco; Hedreen Gallery at Seattle University, Seattle; Green Gallery, Milwaukee; Rocket Gallery, London; Autumn Space and Shane Campbell Gallery, Chicago. Solo museum exhibitions include Museum of Contemporary Art, Cleveland; Indianapolis Museum of Art; Ulrich Museum, Wichita. She has been included in group exhibitions at the Museum of Contemporary Art, Chicago; Akron Art Museum; Museum of Contemporary Art, Detroit; Walker Art Center, Minneapolis; Tate St. Ives, UK; and Kunsthalle Bern, Switzerland. She is a Professor at the School of the Art Institute of Chicago.


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